Here are the logos you can use in your posters and slides:
Timbre2026-Horizontal
Timbre2026-Vertical
Timbre2026-Vertical-Text
| Crossmodality and embodiment |
|---|
| Author(s) | Title |
| Asterios Zacharakis | Hearing the Form, Seeing the Material: Global and Local Feature Correspondences Across Vision and Audition |
| Kelly Raines | MusicVis: Leveraging Cross-Modal Correspondences for Fine-Grained Visual Representations of Music |
| Alex Bégin | Towards embodied and inclusive crossmodal experiences of timbre and music: User perspectives of a new vibrotactile assistive device |
| Maria Vittoria Agresti, Ernesto Di Maio & Stefano Silvestri | Reactive Materials and Gesture in Timbral Shaping: Towards an Augmented Sonic Device |
| Nicholas Ma | Signs of Mediated Gesture: Play and Recognition in Mixed Instrumental Works |
| MIR |
|---|
| Peter McCabe | Measuring Consistency in Explainable Synthetic Timbre Annotators |
| Jiaxing Yu | Vocal Timbre Similarity for Personalized Singer Matching and Song Recommendation |
| Adam Andrew Garrow | Investigating "Timbre Tagging" of Pitch Structure in an Implicit Statistical Learning Paradigm |
| Cognition and semantics |
|---|
| Georgios Velissaridis | Evaluation of Audio and Language Foundation Models on Timbre Cognition Tasks |
| Molly Jones& Sile O'Modhrain | Transitivity and Timbre Similarity Judgment |
| Susanne Sevcik | Musical Metaphors: Timbre, Semantics, and Meaning |
| Yifan Huang | Everyday Sounds as Emotional Catalysts: A Research-Creation Study in Contemporary Music |
| Yifan Huang | Grounding Musical Intimacy in Timbre: Exploring a Conceptual Model of Intimate Listening |
| Colin Tucker | Timbre's Beholders and the Racialization of Sensation in Concert Music Aesthetics |
| Percussion |
|---|
| Joseph Chang | Prony-Informed Percussion Orchestration: A Case Study in Elements of Adventure |
| Carlos de Castro | Timbre discrimination in drum tom-toms: An approach based on audio descriptors and timbre space |
| Orchestration analysis |
|---|
| Fredrica Roos | Scoring the World: Mahler's Orchestration as Imaginary Sound-World |
| Anqi Wang | Timbre, Perception, and Musical Form in Tan Dun's Water Concerto (1998) |
| Ash Mach | The Contours of Timbre in Rebecca Saunders's Fury II |
| Emma Davis | Re-Examining Germaine Tailleferre Criticism in Light of Orchestral Grouping Effects in her Piano Concerto No. 1 (1924) |
| Rafael Felicio Silva Godoi | Thinking Timbre Through Light: Chiaroscuro Metaphors in Saariaho's Solo Cello Music |
| Zachary Brennan | Creating a Timbral Monster: The Superclarinet of Martino's Triple Concerto |
| Aidan McGartland | Colouring Shapes and Forms: Timbral and Orchestrational Strategies in the Serial Works of Elisabeth Lutyens |
| Non-western instruments |
|---|
| Farzad Milani | From Numbers to Practice: The Perceptual Reality of Neutral Intervals in Persian Tuning |
| Farshid Samandari | Sounding the Silk Road: A Comparative Study of Short Necked Lutes |
| Timbre and AI |
|---|
| David Piazza | Concrete Listening in Latent Space: Reduced Semantic Conditioning of Diffusion Transformers as a Compositional Strategy |
| Steven Lewis | Toward a Conceptual Framework for AI-Mediated Timbre Transformation: Exploring Transparency and Interaction in Algorithmic Intervention and Interface Design |
| Pedagogy |
|---|
| Joy Anderson | Timbre as a Pedagogical Tool for Students with Dyslexia in the Music Theory Classroom |
| Timbre in pop music |
|---|
| Lilly Korkontzelos | Is Everything Romantic?: Sonic Expressions of Gender in Hyperpop Vocal Production |
| Zachary Simonds | Invariant Instrumentation and the Effects of Shifted Vocal Performance on Screamed Deathcore Songs |
Poster format