Here are the logos you can use in your posters and slides: Timbre2026-Horizontal Timbre2026-Vertical Timbre2026-Vertical-Text
| Crossmodality and embodiment |
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| Author(s) | Title |
| Asterios Zacharakis & Amit Gur | Hearing the Form, Seeing the Material: Global and Local Feature Correspondences Across Vision and Audition |
| Kelly Raines & Xin Wei Sha | MusicVis: Leveraging Cross-Modal Correspondences for Fine-Grained Visual Representations of Music |
| Alex Bégin, Loonan Chauvette, Jérémie Voix, Matthieu J. Guitton, & Andréanne Sharp | Towards embodied and inclusive crossmodal experiences of timbre and music: User perspectives of a new vibrotactile assistive device |
| Maria Vittoria Agresti, Ernesto Di Maio, & Stefano Silvestri | Time-dependent Materials and Gesture in Timbral Shaping: Towards a Material-based Sonic Device |
| Nicholas Ma | Play and Recognition in Mixed Instrumental Works |
| MIR |
|---|
| Peter McCabe, Alec Krsek, & Patrick J. Donnelly | Measuring Consistency in Explainable Synthetic Timbre Annotators |
| Jiaxing Yu, Yingping Cao, Ziyi Huang, Yuhang Jin, Shuyu Li, & Kejun Zhang | Learning Vocal Timbre Similarity for Personalized Singer Matching and Song Recommendation |
| Adam Andrew Garrow & Marcus Thomas Pearce | Investigating "Timbre Tagging" of Pitch Structure in a Statistical Learning Paradigm |
| Cognition and semantics |
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| Yorgos Velissaridis, György Fazekas, & Charalampos Saitis | Evaluation of Audio and Language Foundation Models on Timbre Cognition Tasks |
| Molly Jones & Sile O'Modhrain | Transitivity and Timbre Similarity Judgment |
| Susanne Sevcik | Memory for Musical Meaning Through Timbre Semantics |
| Jonas Regnier, Yifan Huang, & Stephen McAdams | Everyday Sounds as Emotional Catalysts: A Research-Creation Study in Contemporary Music |
| Yifan Huang, Martha de Francisco, & Stephen McAdams | Grounding Musical Intimacy in Timbre: Exploring a Conceptual Model of Intimate Listening |
| Percussion |
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| Joseph Chang & Philippe Depalle | Prony-Informed Percussion Orchestration: A Case Study in Elements of Adventure |
| Carlos de Castro & Marcelo Gomes de Queiroz | Timbre discrimination in drum tom-toms: An approach based on audio descriptors and timbre space |
| Orchestration analysis |
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| Anqi Wang | Timbre, Perception, and Musical Form in Tan Dun's Water Concerto (1998) |
| Ash Mach | The Contours of Timbre in Rebecca Saunders's Fury II |
| Rafael Felicio Silva Godoi & Igor Leão Maia | Thinking Timbre Through Light: Chiaroscuro Metaphors in Saariaho's Solo Cello Music |
| Zachary Brennan | Creating a Timbral Monster: The Superclarinet of Martino's Triple Concerto |
| Aidan McGartland | Colouring Shapes and Forms: Timbral and Orchestrational Strategies in the Serial Works of Elisabeth Lutyens |
| Non-western instruments |
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| Farzad Milani | From Numbers to Practice: The Perceptual Reality of Neutral Intervals in Persian Tuning |
| Timbre and AI |
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| David Piazza | Concrete Listening in Latent Space: Reduced Semantic Conditioning of Diffusion Transformers as a Compositional Strategy |
| Steven Lewis | Toward a Conceptual Framework for AI-Mediated Timbre Transformation: Exploring Transparency and Interaction in Algorithmic Intervention and Interface Design |
| Pedagogy |
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| Joy Anderson | Timbre as a Pedagogical Tool for Students with Dyslexia in the Music Theory Classroom |
| Timbre in pop music |
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| Lilly Korkontzelos | Is Everything Romantic?: Sonic Expressions of Gender in Hyperpop Vocal Production |
| Zachary Simonds | Invariant Instrumentation and the Effects of Shifted Vocal Performance on Screamed Deathcore Songs |
Poster format